It seems everybody needs a second income these days. Male Voice Over Talents used in many circumstances. While it is a steep challenge hoping to make a living this way, it helps to know there are many different kinds of opportunities. These range from dramatic roles in audio books to an anonymous narration.
Recognized actors take audio acting roles because they're a relatively easy way to make extra money. The recording studio is a relaxed environment, without any need for makeup and costume. Often big stars will take roles in cartoons for the pleasure of performing for an audience of children, but even for them that extra paycheck can come in handy.
The good news is that there are vastly more speaking jobs than can be filled even by the obscure celebrities and aspiring actors of Hollywood. This is good news for all of us non-movie stars. As a rule, though, some background as an actor, even if that was simply in the class room, will be advantageous in finding sound recording work.
Acting comes in many forms, of course. One kind of actor is the everyday telemarketer, working off scripts over the phone, hundreds of times per week in repetition. The sale made over the phone can be thought of as an effective dramatic performance before a live, though remote, audience. The talents of a telephone salesperson translate quite neatly to those needed to do voice work, and there are a great many in that line of work that might need a new income source.
Struggling bill-collectors, fund-raisers, and customer-service employees should also take note of this opportunity. Those in these lines of work automatically cultivate a sense for when they are communicating in the most effective manner possible. Eventually, their most perfect phone persona is typically something a bit different from who they are most of the time, not unlike a character in an audio book.
Some qualities are generally helpful. A rich voice with a flat, "television accent" is usually the most in demand, with the best chance to get work reading previously unrecorded text into audio format. Here, the reader should not try to exude any personality of their own. Only the words of the book or article being recorded are meant to have a personality.
People with appealing personalities can succeed regardless of their accent. No one should be dissuaded because they sound like they came from somewhere rather than nowhere. There is need for those who can speak or at least recite languages other than English, bringing opportunities for Spanish speakers as well as speakers of Tagalog, Chinese, Polish, and several other languages.
There are those who manage to make their living entirely through voice-work. This requires more than the sort of voice and talent the market demands. It also requires the ability to see an opportunity, to plan, to network, and to market oneself. Those who make a living through audio work treat it like a small business in which they are not just the performer, but also officer manager and floor manager. But when all is said and done, this can be an unexpected source of income.
Recognized actors take audio acting roles because they're a relatively easy way to make extra money. The recording studio is a relaxed environment, without any need for makeup and costume. Often big stars will take roles in cartoons for the pleasure of performing for an audience of children, but even for them that extra paycheck can come in handy.
The good news is that there are vastly more speaking jobs than can be filled even by the obscure celebrities and aspiring actors of Hollywood. This is good news for all of us non-movie stars. As a rule, though, some background as an actor, even if that was simply in the class room, will be advantageous in finding sound recording work.
Acting comes in many forms, of course. One kind of actor is the everyday telemarketer, working off scripts over the phone, hundreds of times per week in repetition. The sale made over the phone can be thought of as an effective dramatic performance before a live, though remote, audience. The talents of a telephone salesperson translate quite neatly to those needed to do voice work, and there are a great many in that line of work that might need a new income source.
Struggling bill-collectors, fund-raisers, and customer-service employees should also take note of this opportunity. Those in these lines of work automatically cultivate a sense for when they are communicating in the most effective manner possible. Eventually, their most perfect phone persona is typically something a bit different from who they are most of the time, not unlike a character in an audio book.
Some qualities are generally helpful. A rich voice with a flat, "television accent" is usually the most in demand, with the best chance to get work reading previously unrecorded text into audio format. Here, the reader should not try to exude any personality of their own. Only the words of the book or article being recorded are meant to have a personality.
People with appealing personalities can succeed regardless of their accent. No one should be dissuaded because they sound like they came from somewhere rather than nowhere. There is need for those who can speak or at least recite languages other than English, bringing opportunities for Spanish speakers as well as speakers of Tagalog, Chinese, Polish, and several other languages.
There are those who manage to make their living entirely through voice-work. This requires more than the sort of voice and talent the market demands. It also requires the ability to see an opportunity, to plan, to network, and to market oneself. Those who make a living through audio work treat it like a small business in which they are not just the performer, but also officer manager and floor manager. But when all is said and done, this can be an unexpected source of income.
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